Hack your writing with simple discipline strategies

We academics constantly face two competing impulses that threaten our productivity as researchers and writers:

  1. The chronic busyness that fills our days — prepping classes, grading student work, preparing for meetings, attending meetings, recovering from meetings……. that convinces us we have no time to write;
  2. The radical (compared to most other jobs) flexibility of our schedules, with sometimes wide expanses of unstructured time that can paradoxically cripple our ability to use much of it for writing (e.g., “I have all summer… My God, where did the time go?!?!?”).

This post from from Jennifer Ahern-Dodson of Duke University, written for the ProfHacker blog (which you should follow regularly — it’s great!), provide some simple yet valuable tips for keeping your writing productive by keeping it scheduled, limited, accountable to others, and kept in mental perspective with humor.

I just helped start a Writers Group for faculty at my college; the participants all seem to agree that having a sense of human connection for fellowship and accountability makes the process less daunting by making it less isolating. While I didn’t have it when I started this particular group, I am going to share with them the Writing Group Starter Kit from the Writing Center at the University of North Carolina – Chapel Hill. It includes worksheets and instructions for making the group experience focused and productive.

depp writes

Now if I could only follow the advice myself!

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ProfHacker

Teaching, tech, and productivity.

September 30, 2014 by

Scholarly Writing Hacks: 5 Lessons I Learned Writing Every Day in June

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[This is a guest post by Jennifer Ahern-Dodson, an assistant professor of the Practice in Writing Studies at Duke University where she teaches digital storytelling and researches learning communities and community-university partnerships. You can follow her on Twitter @jaherndodson.–@JBJ]

On May 31st panic set in. I had agreed to commit to writing every day in the month of June as part of a faculty writing group experiment. Inspired both by National Novel Writing Month (NaNoWriMo), recent conversations about mini-monographs, and a visionary classics colleague who cooked up this idea, seven of us agreed to set a big scholarly writing project goal for the month (such as writing 30,000 words) and write every day to reach it.

We agreed to post our daily word count and to report our progress (and musings) on a private WordPress site: “(Wee) Little Monograph in a Month.” Despite my enthusiasm for the challenge, I feared I’d fail: Could I keep my writing momentum going for a full 30 days? Could I really write just a little every day and get a rough, raggedy draft by the end of the month?

Here’s what I learned from trying.

1. Use writing to figure out what you think. In the early messy-thinking-on-the-page stage, it’s not the quality of the words, but generating text that matters most. Because I committed to writing every day for a month, I was able to turn off the internal critical voice, that perfectionist voice that many writers struggle with, and just write instead of agonizing over every word and sentence. Sometimes my writing meandered for a while before I discovered what it was I wanted to say, but I finished the month with enough of a draft to see both gaps and possibilities. I had something to revise. One of my favorite posts from a fellow traveler in our June group captures the value of generative writing best:

Is anyone else discovering that they might be writing awkward/problematic/vomitatious words but that they are THINKING, and SEEING their project, as if for the first time?

2. 20-30 minutes a day really does make a difference. I’ll admit I was skeptical, but as I settled into the month, I realized that by writing just a little every day, I was making writing a habit. By “showing up” to write daily (whether I felt inspired or not), I discovered myself thinking about my project even after I’d met my daily writing goal, and so found renewed intellectual energy when I showed up to write the next day. Enforcing upper limits on writing time allowed me to walk away and not lapse into the stressful binge-writing trap, a practice that I sometimes fall back on that perversely just generates more resistance to writing at all.

Experimenting with short daily writing also allowed me to do an end run around the problem of (seemingly) unlimited summer writing time (no teaching, committee, administrative commitments), yet never feeling I had enough time to write the first draft of a book.

3. You gotta have a plan, and having a plan means scheduling time for weekly assessments and revisions of the plan and its goals. I revisited my writing goals at the end of each week to keep my big-picture goals in mind (to get that first draft on paper) and to see if I was working productively toward that goal. Each Friday part of my scheduled writing time included these questions:

(Big picture): What was I trying to think about, to understand, to express with this project? To whom? Why? How did the particular section I was working on fit into the big picture?

(Daily writing): How did it go? Did I need to stop and do more research before the next writing session? Was I distracted at that coffee shop? Bored by chapter 3? More productive in the morning? Did I need to schedule writing around vacation or travel?

By planning weekly assessments, I could celebrate small successes when I hit weekly targets, remind myself what it was I wanted to say, and look honestly at what was happening when I was writing, so I could see where I was getting stuck and whether I needed to revise my writing plans to keep the momentum going. Momentum is crucial.

4. Community matters: Showing up for each other helps you show up for your writing. I often resisted writing in June, especially on the weekends and while on a family beach trip. But when I resisted, when I felt I could not write one more word, I turned to our group WordPress site for motivation. Each of us in the June challenge—an historian, philosopher, rhetorician, classicist, German literature scholar, biologist, and Asian and Middle Eastern Studies scholar—posted the highs and lows we encountered with our writing and our research. Despite the disparate topics (including Medieval dogs, ancient foods from the wild, and fan fiction) and meeting only virtually, I felt connected to other writers, which kept me writing. Our group posted word counts daily, which was a helpful accountability measure, but we also infused a sense of fun by posting snapshots of our writing lives with a format adapted from the tumblr siteAcademic Breakfast. Here’s one from a writer studying foraging cultures:

wineglassWhere am I? On my sun porch

What am I drinking? Glass of Grüner Veltliner (Cheers!)

What am I doing? (5 words) Pre-writing – today’s words till ahead

How am I doing? (10 words) Proving difficult today to tend plants AND write about them.

5. We need to keep a sense of humor about the challenges of writing in the real world.
allthecatsOur writing community posted a wide range of experiences (and distractions) that we faced as we tried to write every day in June. Cats taking over our writing spaces. Power outages. Laptop crashes. Big ideas for other projects popping up and distracting us from our June writing project goals. We wrote in airports while waiting for lost luggage, a Disney World bathroom at 5am while family members slept, and in an outdoor garden that called for attention. Our pictures and musings captured our writing lives as we actually lived them, not as we imagined them. Collectively, we demystified the magical summer-of-productive-writing so many of us long for in April, but rarely see materialize by early August. Life happens. Writing can find a way in if we make the space for it.

In the end, I managed to write every day in the month of June and sketched out a rough draft of a book that I’d been sitting on for years. Draft in hand, I now turn toward the hard work of revising it. To work productively toward that goal, I know I need a faculty writing community, a writing routine (when the specter of “unlimited” writing time gets replaced by the “no time to write” mantra), and a plan for the academic year.

Our June group is resuming for the fall, and new writers are joining us. We will name and post our writing project goals and weekly targets to our new WordPress site “justwrite.” (My weekly goals will include writing Monday-Friday for at least 20 minutes).We will continue to post pictures of our writing spaces and the joys and challenges of scholarly writing. Our pictures may be less glamorous—beach views and sun porches replaced by offices or classroom spaces—but we will write, and use these scholarly writing hacks to face new kinds of writing resistance with good humor and a shared commitment to cultivating a sane and productive scholarly writing life.

Have you had success with online writing groups? What strategies seemed to help get the writing done? Share in comments!

In-post photos are courtesy of J. Clare Woods. Lead photo is “Writing in the Purple Room” by Flickr user Julie Jordan Scott / Creative Commons licensed BY-2.0

Is “bad” academic writing a self-defense strategy?

There were at least two moments for me as a graduate student when I knew I was struggling to become part of a larger intellectual community: the first time I encountered scholarly writing that was so dense, complex and specialized that it made me feel stupid and resentful, and the first time I looked at a draft of my own writing and recognized some of the same patterns of overly complicated scholarship-as-legerdemain I resented in others. “Wow, I’m capable of that? Yuck.” I suspect I am not the only one to have had two such moments in my career.

While some of us take pride in being able to read and write in prose thick with jargon and layers of stylistic complexity, others are more vocal about feeling like I’ve often felt. The late Denis Dutton’s brief annual series The Bad Writing Contest took aim at these conventions of academic prose and brought them to broader attention.

“As usual,” commented Denis Dutton, editor of Philosophy and Literature, “this year’s winners were produced by well-known, highly-paid experts who have no doubt labored for years to write like this. That these scholars must know what they are doing is indicated by the fact that the winning entries were all published by distinguished presses and academic journals.”Professor Butler’s first-prize sentence appears in “Further Reflections on the Conversations of Our Time,” an article in the scholarly journal Diacritics (1997):

The move from a structuralist account in which capital is understood to structure social relations in relatively homologous ways to a view of hegemony in which power relations are subject to repetition, convergence, and rearticulation brought the question of temporality into the thinking of structure, and marked a shift from a form of Althusserian theory that takes structural totalities as theoretical objects to one in which the insights into the contingent possibility of structure inaugurate a renewed conception of hegemony as bound up with the contingent sites and strategies of the rearticulation of power.

Dutton remarked that “it’s possibly the anxiety-inducing obscurity of such writing that has led Professor Warren Hedges of Southern Oregon University to praise Judith Butler as ‘probably one of the ten smartest people on the planet’.”

There are any number of reasons why academic writing can feel laborious, impenetrable, and intimidating to readers — and it’s often not the case that the reason is the intellectual inferiority of the reader. Indeed, as Harvard University’s Steven Pinker points out in the Chronicle of Higher Education last week, several factors leading to problematic academic writing style might be located at the intellectual anxiety of the writer:

  1. self-consciousness: the writer’s worry that they will be perceived by others as intellectually illegitimate in their field;
  2. the “curse of knowledge”: the writer’s inability to recognize the possibility that other people may not know what they know.

Even the venerated literary critic Jacques Derrida has shared that he experiences feelings of fear and intimidation when engaged in critical scholarly writing:

Pinker’s essay is a thoughtful, useful examination of why our writing often takes the forms it does at its worst — useful for us as academic writers, and useful for us to share with our students as we attempt to guide them into the kind of writing that helps them enter an intellectual conversation with fellow experts.

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Why Academics Stink at Writing

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Scott Seymour

Together with wearing earth tones, driving Priuses, and having a foreign policy, the most conspicuous trait of the American professoriate may be the prose style called academese. An editorial cartoon by Tom Toles shows a bearded academic at his desk offering the following explanation of why SAT verbal scores are at an all-time low: “Incomplete implementation of strategized programmatics designated to maximize acquisition of awareness and utilization of communications skills pursuant to standardized review and assessment of languaginal development.” In a similar vein, Bill Watterson has the 6-year-old Calvin titling his homework assignment “The Dynamics of Inter­being and Monological Imperatives in Dick and Jane: A Study in Psychic Transrelational Gender Modes,” and exclaiming to Hobbes, his tiger companion, “Academia, here I come!”

No honest professor can deny that there’s something to the stereotype. When the late Denis Dutton (founder of the Chronicle-owned Arts & Letters Daily) ran an annual Bad Writing Contest to celebrate “the most stylistically lamentable passages found in scholarly books and articles,” he had no shortage of nominations, and he awarded the prizes to some of academe’s leading lights.

But the familiarity of bad academic writing raises a puzzle. Why should a profession that trades in words and dedicates itself to the transmission of knowledge so often turn out prose that is turgid, soggy, wooden, bloated, clumsy, obscure, unpleasant to read, and impossible to understand?

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Leave the poop deck unswabbed, matey… just write!

The beginning of the academic year is always a crazybusy time. If you work at a teaching-intensive institution, the start of the year often feels like a time of mournful separation — with the end of summer comes the end of our scholarship productivity for the year. That’s because finding time during the term to get any writing done can feel like Popeye trying to get Poopdeck Pappy to sleep when he’d rather go out and start a bar fight.

The problem with “finding time” to write is that the enterprise is often impossible — there are always other things to fill our time. However, Joli Jensen from the University of Tulsa, a writing columnist for Vitae, reminds us that while the decks will never be sufficiently swabbed, we can still proceed to sail the scholar-ship (see what I did there?) with a little shifting of perspective and the application of a few easily implemented productivity tips (which she writes about in a separate piece that I recommend highly).

So put away the mop and weigh anchor, matey!  Arrrrr!!!

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Image: Richard Dorgan, from ‘Biltmore Oswald’ (Project Gutenberg E-Book)

August 29, 2014

 

One of the most widespread myths in academic writing is that you can, and should, try to “clear the decks”—that is, finish all of your other obligations before you can focus on your scholarship.

In a recent faculty workshop on “stalled projects,” six colleagues committed to try, for two weeks, a few of the writing approaches I’ve been recommending. No pressure, I told them. This wasn’t a permanent commitment. It was just a way to explore why these projects weren’t moving forward.

The day before our second meeting, one colleague emailed to say that she couldn’t start using the techniques because she was overwhelmed. There was just too much going on, it wasn’t an opportune time for writing, and now grading had to take precedence. She couldn’t make the meeting, and she would be out of town the following week, but hoped she could continue with the group once things settled down.

Obviously the “cleared decks” delusion had her in its grip. Even though she said she wanted to reconnect with her project, had been confident she could find 10 minutes a day to write, and had had a week free of teaching, she still hadn’t been able to get started. We had discussed specific ways for her to make better use of her time, such as doing scholarly writing before her grading. In spite of those suggestions, she still felt obligated to put her research project on hold until “things cleared up.”

The other members of the writing group understood, of course, but this time they had been able to make different choices. They, too, felt overwhelmed by other obligations. They, too, felt that this wasn’t the best time to be writing, and were tempted, each day, to put off even their brief 10-minute commitment. But somehow they were still able to try at least some of the techniques. And once they experienced even a little progress, they felt better about the project, and about themselves, and were eager to keep going. They were no longer stalled.

The reality is: Things never clear up. They don’t even reliably settle down. Your in box is always full. The decks are always crowded.  There is always more going on than you want or expect. Nonetheless, you can find ways to put your writing first, and make sure that it gets done. Otherwise, everything but your writing will get done.

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Free webinars on academic career advancement? Yes please!

The start of the academic year is when we all need to build our calendars so we can keep everything straight — when are my classes? when are my committee meetings? when are my hot yoga workouts?

lukenolikeyogapants

 

 

 

 

 

OK, maybe not hot yoga. But when our calendar gets busy, it can be hard to remember to fit in some opportunities for professional development — especially in areas that don’t always hit our day-to-day schedule, like article writing and professional career management. That’s why jumping on opportunities while the academic year is young can be helpful — and that’s where Augie Prof in Progress comes in handy.

We here at APP love free. So when the fine folks at Academic Coaching and Writing offer free webinars on topics like writing articles and book proposals, managing your tenure clock and academic “brand,” even research tips for dissertators, I’ve gotta pass it on.

So register for your free webinars… and I’ll see you in Zumba class.

lukenolikezumba

 

 

 

 

 

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Here’s a preview of the 12 webinars in our Free ACW Fall Webinar Series. These are topics you’ve been asking about again and again. Sign up to reserve your space.

Academic Publishing

Writing a Journal Article: How to Move from Evidence to Argument

September 11, 2014

This webinar will address the fundamentals of crafting successful article submissions in the sciences and social sciences. REGISTER HERE

Writing an Academic Book Proposal

November 6, 2014

In this webinar you will learn how to start the process of writing a successful book proposal and how to find the best press for your academic book. REGISTER HERE

Academic Coaching

Managing the Imposter Syndrome in Academia: How to Overcome Self-Doubt

September 25, 2014

Do you ever feel like an academic “imposter” or have negative thoughts about your capabilities? This webinar will help you rethink how you present yourself. REGISTER HERE

Getting in Sync With Your Tenure Clock

October 23, 2014

How do you create peace of mind when working against the tenure clock? Learn strategies to create a tenure plan and rethink your relationship to your tenure process. REGISTER HERE

Developing an Academic Support Network

November 20, 2014

Have you found an academic team that will support you on your academic journey? Learn how to grow your network and ask for support. REGISTER HERE

Academic Branding

Academic Branding: Improving Your Visibility, Network, and Career Opportunities

September 17, 2014

Academic branding puts you in the driver’s seat, allowing you to tell the story you want to tell about yourself, your scholarship, and your leadership. REGISTER HERE

Conducting an Academic Job Search with Clarity, Positivity, and Resilience

October 1, 2014

In this webinar you will learn how to manage the uncertainty of an academic job search in ways that increase your clarity, positivity, and resilience. REGISTER HERE

Designing Your Online Presence to Promote Your Academic Persona

October 15, 2014

This webinar will introduce you to the most popular online platforms and tools and help you decide which ones to use to promote yourself and your academic work. REGISTER HERE

Dissertation Proposal Writing

Finding and Focusing Your Dissertation Topic: Setting Out on Your Dissertation Journey

August 14, 2014

Finding a topic that you are passionate about will sustain you as you traverse the various obstacles that lie ahead on your dissertation journey. REGISTER HERE

The Dissertation Proposal: Putting the Pieces Together

September 18, 2014

Completing a proposal is like doing a jigsaw puzzle with 1000 pieces. In this webinar you will learn how to put the pieces together. REGISTER HERE

The Review of Literature: Finding Your Way Out of the Literature Fog

October 16, 2014

In this webinar you will learn how to begin the literature review, organize your materials, decide when you’ve read enough, and synthesize the research. REGISTER HERE

Selecting a Research Design that Aligns with Your Research Question

November 13, 2014

This webinar offers a crash course in understanding research methods and how to align them with your topic and research question. REGISTER HERE

Visit http://www.academiccoachingandwriting.org/ for more information.

 

Cheers!
Dr. Sally
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Academic Coaching and Writing
www.academiccoachingandwriting.org
Phone: 760.635.1545